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Darkly comic, gently compassionate examinations of 1950s Middle America, Catholic style. As the village of Sherwood (where some stories take place in a vaguely pinpointed but accurately mapped terrain) becomes swallowed up into Minneapolis suburbia, as the Church begins to find its parishioners assimilating beyond the reach of vestibule religious tracts into the Welcome Wagon invitations of the middle class tract, Powers shifts accordingly...
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