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In Millie Tullis's new poetry Tullis cannot stop uncovering details about Martha, who left no written history behind, and her silence permeates this Sparse and spare, these poems echo the red desert landscape where the speaker's ancestors lived and died, where she hunts for graves among the rocks and confronts a past she can never fully know. After all, like a sampling of lace, the cloth of women's history is more hole than thread.
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